Jared Strange is a writer, dramaturg, teaching artist, and scholar based in the Washington, D.C. area. Recent D.C. area projects include a series of websites on the history of The National Theatre in Washington, including A Brief History of The National Theatre, Big Before Broadway, West Side Stories, The National’s Leading Ladies, and National Theatre, National Politics; dramaturgy for Julia Marks’s “Waiting for Iggy Pop,” a reading featured in the Magic in Rough Spaces program at Rorschach Theatre Company; and teaching a Young Playwrights’ Theater workshop at Chelsea School in Hyattsville, Maryland. Plays include the award-winning dramedy The Prophet Darla; the raucous satire Ubu Roy: An American Tale; Fault/Line, a semi-devised piece that was the first all-American production to be staged at the MeetFactory in Prague; the family dramedy Christmas in Terminal B; and short comedies “Trapped Like a You Know What” and “The Emperor’s Big, Fat, Naked Revolution.” Jared has served as a teaching artist with Young Playwrights’ Theater and a member of the Literary Circle at Shakespeare Theatre Company. Jared is currently a PhD candidate in Theatre and Performance Studies at the University of Maryland, where his primary research concerns the performance of soccer on the pitch and on the stage. His research and reviews are featured in Theatre Research International, Comparative Drama, Journal of Dramatic Theory and Criticism, Texas Theatre Journal, and Theatre Journal, and forthcoming in the anthology Performing Statecraft: The Postdiplomatic Theatre of Sovereigns, Citizens, and Saints. As an educator, Jared has taught theatre at the college, middle-school, and high-school level, and served as an administrator and sometime-instructor for a variety of K-12 arts programs. Jared is also an occasional director and a reformed actor/performer (though he has been known to fall off that wagon on occasion).